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Juan Bautista Martinez del Mazo Retrato de la infanta Margarita oil painting reproduction


Juan Bautista Martinez del Mazo

Retrato de la infanta Margarita

ca. 1659(1659) Oil on canvas 212 ?? 147 cm (83.5 ?? 57.9 in) cjr
Painting ID::  76573
 

 

Juan Bautista Martinez del Mazo Retrato de la infanta Margarita oil painting reproduction


Juan Bautista Martinez del Mazo

Retrato de la infanta Margarita

ca. 1659(1659) Medium Oil on canvas Dimensions 212 x 147 cm (83.5 x 57.9 in) cyf
Painting ID::  78441
 

 

Diego Velazquez Retrato de la infanta Margarita oil painting reproduction


Diego Velazquez

Retrato de la infanta Margarita

1653(1653) Medium Oil on canvas Dimensions 70 x 59 cm (27.6 x 23.2 in) cyf
Painting ID::  78635
 

 

Diego Velazquez Retrato de la infanta Margarita oil painting reproduction


Diego Velazquez

Retrato de la infanta Margarita

. 1653(1653) Medium Oil on canvas Dimensions 70 x 59 cm (27.6 x 23.2 in) cyf
Painting ID::  79310
 

 

Diego Velazquez Retrato de la infanta Margarita oil painting reproduction


Diego Velazquez

Retrato de la infanta Margarita

after 1655(1655) Medium Oil on canvas Dimensions 14 x 12 cm (5.5 x 4.7 in) cyf
Painting ID::  80057
 

 

Diego Velazquez Retrato de la infanta Margarita oil painting reproduction


Diego Velazquez

Retrato de la infanta Margarita

between 1654(1654) and 1655(1655) Medium Oil on canvas cyf
Painting ID::  80069
 

 

Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Retrato de la infanta Margarita
between 1654(1654) and 1655(1655) Medium Oil on canvas cyf

        
   
 

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